to continue my preamble to this large project, I want to mention that anything copied into wordpress from a word document automatically becomes double spaced and I have no intention of going through these and correcting all of them.  If you would like these poems without the awkward spacing, I will gladly sell you the book when it exists:

35.

[man asks me for a poem for his 30th anniversary with his wife.  Only tells me that he knew for sure that he wanted to spend his life with her the first time he laid eyes on her.]

If it were so simple as only needing

to find

a pair of eyes

as beautiful as yours

there might be more men

as lucky as I am.

The true search is for something far more rare:

the you that you are

when you are in the dark

compels me as well.  Praise the sweet

mystery that draws me to you

and let the years lift away

light like the plum blossom petals

picked by a brief March breeze.

36. Avoidance

When I want to hide from myself

I slide

to the underside of my own

tongue.  I find there

the words I’ve kept caught

in my miasmic morning breath.

Under the crust

of the moderately avoidable verbage

I find the words

I have tried the hardest to hide.

This does not ease my avoidance

but it makes real the memories

of the last time I tried to run.

37. Candles, trees, flowers and rainbows.

[two sisters, 4 and 6 years old, ask me if I can write them a poem about two things (presumably so both could ask for one thing each).  I tell them that I’m so good at poems, I could even write a poem about five things.  They decide together that 5 is too many things, and they say they would like a poem about candles, trees, flowers, and rainbows.]

It could be like this:

a fairy shindig with pollen passing,

tea lights on the backs of dragonflies

swinging like faint music between

the bark of the redwoods under a

sunshower mist that’s burst into color.

It could be like this:

He was in love, and he has hiked with

her through the weeds with a picnic.

Some romance can be planned: the

candles and the flowers, but the soft

shower on the canopy and the rainbow

that followed were a gift

from a different hand.

It could be like this:

I have been given all these things

and more to hold in my mind and my

imagination is no simple thing.  What

can I imagine today?  A post office

run by dragons?  A dance those fairies do

when they fall in love?  All of this

my mind is good for.

38. indecisive

[“so what would you two gals like a poem about?”  “…   …    …uh…I’m really indecisive.” “would you like a poem about that?”  “uh…yeah.  sure.  I’m like really indecisive”)

I know that Plato gets me:

the wise man only knows

that he knows nothing

at all.  This is true

also for me

at an ice cream shop

CHOCOLATESTRAWBERRYVANILLACOFFEMINTCHIPCHOCOLA

or browsing Netflix

ACTIONADVENTURECOMEDYDRAMAFOREIGNFILMSACTIONS

or looking for a boyfriend

ONDEWITHABEARDWELLDRESSEDPOETWITHASENSEOFHUM

I know that I do not know what I want:

look how wise I am.

[after she walked away with her poem, I realized that the woman with her may have been her partner.  which I felt could have made the poem read somewhat offensively.]

39.

[a woman with has tattooed a picture of Marilyn Monroe as a topless mermaid on her arm expresses shock that she hasn’t met me yet.  She asks me for a poem about anything I want to write about.  I press her to provide a topic.  She insists on providing none.]

I bumped into a Monromermaid

in an amphibious supermarket

she was all scales and smoldering sex

appeal, as usual.

I see her there

all the time

making eyes at any man

buying a lobster.

She may find herself iconic,

but I always find her

and her tail

a little out of their element

and often shopping for “dry goods.”

40. Going Down

to slope in a negative algebra

is a misuse of both

language and mathematics.

Everything that “goes downhill” gets

“deep” and “brings me down”

shares the blame.

It is also,

I would say

this:

an exiting of light

from the day’s ambition

a hunger that is only

the eating internal

a force of air

pushing not down

but out.  I am taking

the truth to be found in these directions

I am learning as a leaf

caught in the expelling air.

41. Scars

[third poem of mine to make someone cry]

This is the tissue our body masses

to cover locations of hurt.

Here is the reminder we are

given of the times we did not know well

how sharp the knife or how needed

the stitches were.  Here it amasses:

The voice of a tautological body

the kind teacher of it is

with its patient slow mending

saying, “you will

heal.  You will heal

from this too.”

42.  She Hulk Goes to the Grocery Store

[a young woman asks for a poem about female super heroes, because she is interested in portrayals of feminine strength.]

The household goods section

has lots of gender pronouns

that could be a problem.

The clerks have gotten

used to it.  Put up a sign:

“Don’t murder over spilt milk”

The cashier sounds a little more

sincere when she says:

“have a nice day” with subtext.

The butcher goes about

his job slowly without quick movement

a smile as big as his knives.

When she gets home from the store

and crawls into a weary bed

she holds her man with

a tenderness:

the true purpose of her strength.

43. Ezra’s bad rap follows him to Santa Cruz

I was, myself once

in a station of the metro:

I didn’t see shit.  No petals

no wet black anything.

I left that station

pretty quickly

and somehow

felt a little

more fascist.

44.

[woman asks me for a poem about the future.  In chatting she mentions she has a six year old daughter who is part of why she thinks so much about the future.]

If I were to tell you we pass slowly

through our moments

that we move viscous

in time, would it come as a comfort?

Knowing that those who are cherished

and young are syrup in this state

and there will be much done

before they are just faces to be

placed in a frame to be adored or at least

available for adoring.

And what can be said for seeing

time as  a torrential,

a pouring of hours

a deluge of days?  How

can it be that whole years can be

summarized in phrases:

“I was young, too busy with beauty.”

“just wasting time in Charlotte

focused on a career.”

Both are true, and have the same word

scribbled in the margins:

Cherish.

45.    for Mr.  R**** 4** C******* M****** Ave.  Box #***** Monterey CA 93944

[as I pack up my cart and head home, a man approaches me with two female friends.  He tells me that they just had an intervention about his Gay Porn addiction instead of driving to San Francisco.  He asks me if I can write a poem about it.  After telling him that I’m about to pack up for the day, I tell him I could mail him the poem.  He accepts, and dictates his address to me.  I was never really sure if the porn addiction story was true or just an inside joke among friends, but I wrote him this poem anyway]

Penises

in general

I have to say, do nothing

for me.  Although

I have to admit, they did

recently make their way

onto my list

of top two favorite genitals.  But still:

all of the flaccid flopping

and wrinkled testicular vestibules

lack something beneath: a pulsing of

(and you can find this in porn)

blood and a willful ecstasy of thrusting

heavily breathed preludes into a pearled trickle

(all this can be found in porn)

and beneath all of it:

a way of looking

(with which,  if I could tell you how it is

to be found, we could stop all of

this madness) into adoring eyes

and saying: “Yes, lover, yes.”

46.

[a woman asks me for a poem for her husband.  When I ask what she likes about him, she is without words for a while and then says that she loves him completely, that they built their house together and raised two children there.]

There is more to a house

than walls.  Layers

and layers

of paint are not the only

accumulation of this living

room over the years.

There is also this:

a paintbrush

passed from one palm into another or

one hand pressed lovingly into another

or many small hands growing

up into large hands and the years

pass by (they are not like paint:

they do not try

to cover where they have been).

47.  Lost

[a 16 year old girl and her father stop at my cart.  The father tells the daughter to ask for a poem, she requests “a poem for her lost generation.”  I ask her if she thinks her generation is lost.  “Yes.” she says.]

I put JFK in a time machine

and took him on a roadtrip.

We went all over America.

He spent most of his time

either chasing women, or galvanizing

the nation’s youth.  Success on all counts.

I couldn’t understand how

he gathered people around him,

and I couldn’t understand

his accent.  I tossed him

my iPhone, somewhere in Iowa, and said,

“here Johnny, put on some music.”

and just like that

he was as lost as the rest of us.

48.

[a man roughly my age asks me for a poem about anything I’d like to write about.  When I ask him to help me out by telling me something he enjoys to do, he says he enjoys playing music on “strange instruments” with his friends while “just bullshitting”]

The bass

is a doom clap

it doubles back

lays down its own

buzz shake

sound.  This I knew already

but then I found

honey dripping

in a clarinet to swing strong

on the downbeat:

this dubstep symphony gone high drive

a prevailing piano: a home

of hidden hammers.

I hear all this

just bullshitting

with my friends.

49.  Lovely

[a guy who looks to be in the ballpark of 15 years old asks me for a poem for a girl he enjoys spending time with.  When I ask him if it’s romantic his friends all laugh.  When I ask him what he likes about her he says that he enjoys reading Neruda together and that she is lovely.]

I have been trying to speak with Pablo

about all these lovely things he sees:

onions and socks pulling odes

from this man,

breaking him

into a song somewhere public,

taking him from a body

to somewhere sublime.

There are so many ways

to be lovely:

to be an onion that is the most onion,

a sock, the most sock;

there is a way one can have of being

that gives the rest of us solace,

lets us breathe deep and say: this.

This much at least I know is true.

50.

[a woman who just got out of a long relationship and has been enjoying freedom and sewing and her newly bought (post-breakup) turntable asks me for a poem]

It may go without saying

that the sky has always been secure.

It might also be true

that the blue wonder does not need

any additional noise

to be made below it.  When I am

free to take my limbs

to any desirable destination

when I am held more buoyant

by a more saline time              the sky can deal with it:

watch me run a stitch

through joyous fabric,

watch me rotate

with this turntable.  This is the work

one does when finding

their own anthem.

51.  Humor

I know

within humor there is always tragedy,

but that which is comic

happens to you

but that same falling piano

landing on me

is tragic.

I know a coyote

who knew all about this:

where there is humor

there is always uncontrollable

desire: to eat that bird,

to survive this piano

to travel this treacherous

life without breaking

the short

distance between wails

and laughter.

52. First Base

[a ten year old boy asks me if I can write a poem about baseball, tells me that he plays first base]

What kind of blue the sky may be

at this small moment

I have no time for.

It serves as little

but a backdrop for

this infield fly.

What shade exactly

that grass is displaying

in the space between

the pitcher’s mound

and the dugout is

only there to be chewed

beneath my cleats.

there are no colors in this moment

when all I’m doing

is playing first.

53.  Let us be honest:

if we are honest

there have been tears

there has been

weeping, there has been sobbing.

There have been many kinds of tears:

this is how I’ve known it to be.

There is a graceful day

coming.  If you are lucky,

maybe this day of grace has already passed.

Over a glass of beer I met my mother

when I was 22.  If there were tears

after that, they were different.

54.  Roadtrip

No one ever warned me

about the really important

things one must bring

on a roadtrip

nor could they.

How strange it would be

for anyone to say:

bring grace and compassion

and make sure that you pack

more love than you think you will need

for the person with whom you will travel

through this period of time.

55.

There are many actions in life

that are more difficult

than walking:

1.

reading the arch of a ball which is

paraphrased physics,

displacement in air.

2.

finding the correct words, which is

telepathy via typography when

you see what I’m writing.

3.

Water finding its way into a crack

in the pavement growing colder

until it freezes and pushes apart

something that seemed solid

which is

like loving you.

56.  just about 2/3rds of a sonnet

When purple leaves the vine it’s not to die

but to be beyond sight a season more

the geese can sing this song more true than I

of a returning color’s true allure.

I miss no color like wisteria,

which is a texture and a shape as well

my memory’s lies may count a plethora

and will a falsehood (for a smile) sell.

But this at least I do believe is true:

there is rebirth in me, in geese, in you.

57. poem for a smile

[a bald man on a bike stops and asks me for a poem because he wants something to make him smile]

listen here you cheese weasel

you mumbling muskrat

you pantsless giraffe

life is going to turn

the volume down

so you can see

all the hilarious things that are happening

A bigot bulbous as a beachball

cursing at a ballgame on a screen

working his fat wet lips inches

from an image of a skin tight running

ass.  This happens every day.

Turn down the volume.

What strange animals you will see.

What strange soft animals we all are

at times.

58.  Relationships

[a woman asks me for a poem about “human relationships”  as she walks away she adds that she’s always felt on the outside of most human relationships.]

You could

blame the iphone

for the way these cradled rectangles are held does direct

the faces away from the crowd even in the crowd.  You

could blame faces

turning away from books

on ironically titled social media.

I have never had this

flatscreen firsthand

to tell me in pokes, tweets, likes, and apps

how people relate.  I prefer to close

my eyes, conversations waft past me:

the merits of dresses, destinations

for dinner.  A thin man with a thin

silver tie leans to the ear

of the woman he walks with, and whispers

“I love you dearly.”  And this helps

heighten the state in which people relate.

59. String Instruments

[two friends come up to me, one asks for a poem about bees.  the other says that she wants a poem about bees as well.  I cheated on both of these, they’re both poems I have written before.  Why have I written so many poems about bees?]

there are bees hidden in the harp

they are warmed

and drowned

in a case

of cello.

The fiddle is its own

hive but

unlike the violin

you can spill beer on a fiddle.

all this buzzing produced

by these string instruments.

Their honey overwhelms my ears.

also # 59] Said one Honeybee to the Other

“I wouldn’t fuck you for all the honey in the hive

it would be strange to have that much sweetness

when I have your eyes

which I can see sweeten at the sight of me and

your legs

like beautifully kneecapped diabetic comas

just waiting to happen

and your lips

I do not have

because we’re bees.

But as for the rest of it:

I was built for these pollens.

I will fill the whole of this dome

this crescent of ozone

with such viscous sweetness.”  You must listen in the early

spring before the air grows thick.

60.  For Vittorio from his own heart

[a woman asks for a poem about her 1 year old son, she says that she wishes that he will have a strong heart that will lead him in the right direction]

Like you, I began

quite small

but beating.

There was a time

not too long ago

when you were sleeping:

your mother held you

and cradled your torso

in her ear to hear

my sound.  There is no simple way to say this:

the only thing more difficult

and important in this life

than listening to your own heart

is to make yourself still enough

to listen to someone else’s.

61. A brief lesson on Fountains and Love

[a couple asks me for a poem for their 21 year old son.  When I ask them to describe him they say that he is “gregarious” and “good with the ladies.”  I didn’t see any trouble relating, and gave him parts of a poem that I had written before that I thought would be appropriate.]

I have been told that the true measure

of a man

is his ability to give himself away.

I try to let myself be

like the water

you can find

in a fountain.

If I am not overflowing

I have very little

to offer.  The more water

a fountain gives out the more water

returns to the fountain.  This too is true for love.

62.

My opinion of watermelons, age 12

It is a shame to have

to swallow so much sweetness

just to get a few seeds

to spit at my brother.

My opinion of watermelons, age 25.

In post-grad poverty

and invited to a potluck BBQ:

wonderful wonderful watermelon.

My opinion of watermelons, age 4.

WooooooooWheeeeeSMASH*SMASH*heheheheeheHahaha

63.] burrito

Tell me what kind of glory exists

that couldn’t be improved by cheese

melted inside of a flour tortilla.

If food wasn’t made to be sautéed

in spices various, and rolled into burritos

then why did god give us hands?

Muse, sing to me of guacamole;

slather overzealous spices in sour cream.

My Elysium is a never ending

salsa bar

where both

hot and mild

are bottomless

and the chips

never run out.

Rebecca's at the Tannery May Events

So if you were wondering why I haven’t been all over this whole “posting all 100 poems” thing, there are pretty much two excuses…um, I mean reasons. The first is that I’ve been organizing everything on this flier to help promote the Tannery Arts Center (as previously gushed about). The second is that typing up poems, and editing them so that there are no spelling errors takes time. Turns out, it takes lots more time than I thought. But don’t worry, there will be 100 poems I wrote in April on this blog soon!

as a preamble to this large project, I want to mention that anything copied into wordpress from a word document automatically becomes double spaced and I have no intention of going through these and correcting all of them.

 

1. Giving It Away

 

[poem for the guy handing out fliers outside the Silver Store in Santa Cruz]

 

It raises the question, what is worse:

to be ignored without thought

 

perceived secondary to the importance

of coffee cups, or to be accepted

 

by a man in bad flannel, who will

talk for fifteen minutes, with no interest

 

in buying silver?  Sometimes one has to work

just to prevent the eyebrows and other

 

less controllable facial features from

becoming an accusatory apology.

 

Convince me this isn’t a shitty job.

Convince me oil travels freely though

your wick.

Convince me you burn bright.

 

2. Together

[a couple asks for a poem about a 10 year anniversary.  no favorite poet provided.]

 

Love me like the sun rises

3650 times:

this is the brightness we have

shared.

Kindness and patience

are tireless as tide;

the way I’ll never grow weary

of looking into your

eyes.

 

 

3. Damn Good Oysters (a Tercestina)

 

[Juba excitedly tells me about oysters from the farmer’s market.  “Damn….Good…Oysters.  Write a poem with those three words.” he uses as his conclusion.  I say “ok.” He never returns for his poem.  Not sure if he thought I was serious or not.]

 

Quite frankly it doesn’t matter worth a damn

if you think your poems are outstandingly good

someone will come thinking their words are pearls from oysters

 

but you can’t let that close you off like an oyster.

One must keep their pen moving and not give a damn:

this is the only way to make art that’s any good.

 

Mary Oliver told me not only that I don’t have to be good

but also that death can be gracious using poems about geese and oysters,

this is why, when you say “poetry” no one gives a damn.

 

Despite this, we go on.  Public opinion be damned.

Every once in a while you have to do what feels good,

just because it feels good, like writing or stuffing your face full of oysters.

 

 

4.

[guy walking by, without slowing his gait, asks without eye contact if I can write a poem that will stop his girlfriend from being mad at him.  I say “I can do that” he stops in his tracks, explains the fight they just had, and ends up asking me to write his apology poem)

 

Sometimes I don’t understand

the tide.  I want you to help me.

The next full moon let’s take a walk

 

you and I, down to the shore.

We don’t need to say much but

 

I want you       to watch the tide

with me.  Under the forgiving light

 

of Earth’s only satellite

maybe I can show you what I don’t understand

 

the tide rolls

out in the direction

of the sunset

every day and every day

it returns.  I wonder: why roll away

in the first place.  I want to say:

return, return, return.

 

 

5.(I keep) no secrets

 

[17 year old with gender neutral hair voice and clothing asks me for a song about secrets.  Yup.  a song.]

 

She speaks to me like a tiny violin

playing a tune that moves

like the distilled sweetness of bees.

 

I cannot remember the tune.  (that is not true)

(I must say I cannot remember)

(she wants me to say I cannot remember

and I gave my word that I would)

 

My word is a rock that juts

in a stormy sea.

 

(I did not know this storm would come)

 

(a secret is a set of words

that you wish would be your lover

they drape themselves

in scant traces of lace

and wait for the candlelight to

do the rest.  You can see and even hold

a lover like this but you can never truly

keep them.)

This is what she whispered.

 

 

6. timeless: without time

 

[60ish year old man with 40ish year old wife tells me his wife is 20 years younger than him and that he loves her no matter what anyone says about their age difference.  Says his favorite poet is ee cummings.  never returns for his poem.]

 

I do not love

(nor do I wish to)

 

like a metronome

a time

clock a punch

card a watcher

 

 

of birds

 

no no I love

like

I love

like

 

I love.

 

 

 

7.  Guide

 

[60ish year old woman walks up to me and abruptly requests a poem about how “kids these days don’t have any proper role models” (exact words).  Walks away before I can ask her if she has a favorite poet]

 

I’ve seen a compass confounded

by the closeness

of magnets

 

I’ve seen the wisteria climb

any ladder left

to reach for

 

I’ve seen the path of my own

tender body

reaching forward

for a guide.

 

 

8. Movement in the Morning

 

[A man in his late 30s with a serious surfer vibe asks for a poem about fog.  Tells me about watching the fog roll through trees while drinking his coffee that morning.]

 

In the morning, when the parallel is the clearest,

before the sun climbs to its point

 

of authority, I watch the fog slither

between the trees like drunk friends

 

it does not wish to wake.   The fog does not wish to slide

over the ocean like the body of a new lover

 

who has not yet pulled it close.  Then

I inhale,

blow the steam from my coffee

and let the fog clear from me

as well.

 

 

9.

[a very quiet woman in her early 20s reads both volumes of work I have in front of my cart, and then watches me write for 20 min or so.  She then asks me for a poem about solitude, says she does not often get out, nor does she have many friends.  In the process of writing, I have a quiet and complete feeling of something coming through me.  Handing the poem to its recipient felt like a psychedelic experience]

 

Some mornings the pale blue and blush

of the rising sky is a challenge

that I don’t feel like answering.

 

Some mornings the only kind of safety

that makes any sense to me is the heat

accumulated off my body through the night,

 

like some sash of soft darkness was laid

over me with each lightless hour

and each sash knew my sleeping body so well

 

that they loved each other silently, as

no one seems to know how to anymore

and to get up and leave this bed behind

 

is to push off of the world

this rare and quiet affection.

I promise some mornings

are worth it.

 

 

10. define:evaporate

 

[30 year old lady asks for poem to help her boyfriend who works with a homeless services nonprofit who has chronic stress and is always like a kettle about to boil because of it.]

 

Perhaps you could tell…

with tense insight

about the temperament of steam.

 

what catalyst of liquid transition

ignites beneath us all

…you must know about this already.

 

The very heat that will move us

and accelerate us in our changing

can eventually come to a boil.

 

Where we thought we once were:

(here, liquid)

we are no longer.  We become lost.

 

let me be for you a tray of ice cubes

to drop one by one into you

so that you may keep your heat

standing over the flame

without losing your passion

like vapor taken

by the jealous air.

 

 

 

11.) Remember Santa Cruz

 

[for one of two exchange students from Sweden who had been in Santa Cruz for three months and were boarding a plane back home the next day]

 

Here is one thing that I will never forget:

the way the sun here slides

over the hills in the East.  And another:

 

the white petals that take the attention

away from each spring sky so that

a talentless poet could spend days

 

writing about them.  The mad glare

of the boardwalk.  The long neck

of the wharf.   Each sleepless

night I’ve spent here I could hear

the moon complaining:

 

“I have spent so many evening hours

coming out early just to hang above

the same small flock of gulls for

which I have no love, nor for their

flawed song.”

I do not listen to the moon.

Some find it hard to love what they have

before its gone.

 

 

12.)  Photographs of the Ocean

 

[a woman who is walking with a man I assume is her boyfriend gives me flirty eyes and asks for a poem about the ocean.  I write the poem and give her a private reading (standing, and giving her my seat) before she ever uses the word “brother” to refer to the man who I was desperately trying not to flirt with her in front of.]

 

There is a certainty in the tide that speaks

of the ocean’s conviction.  I could sit

 

on the sand everyday:  I could watch the spray

rise from the descending waves as they roll in.

 

I could point the camera at each sousing

and still never know what is more true of our moments:

 

whether time will roll through us as a

wave approaches

the shore

 

or if we are only the still odd moment

before another

when the spray

is suspended

and then caught in a frame.

 

 

 

13. My First Time

 

[I was asked for a poem about coral]

 

At the aquarium as a young man

I touched coral for the

first time.

Rock-sized and lost

from its home

now in my palm I thought:

this here that I hold, is

the bones of the ocean

some knuckle ruptured

and lost I hold here.

Surely the mariana

trench must miss its

knuckle.  What irony

that it lost them here

in my own digits greedy clasping.

This was, of course, before I knew

how many carbon based beings

I thought were inanimate,

before I knew what we leave behind

when we die.

 

 

 

14.) Abandon

[a man in his early 50s asks for a six line poem about a cigarette butt on the pavement]

 

We all abandon pieces of ourselves somewhere.

There are times when this is metaphorical.

But that is not today’s story: today was

long in its holding of heat and slow

to submit and sink into the sunset.  Today

did sink slow and I do not lament to follow its descent.

 

 

 

15.) The Young Gods

 

[for Kirby Scutter]

 

When Janus had children

they sprung, full grown

from his skull.

His first instinct

was to devour them.

They survived and this

is how the gods were born.

Very shortly thereafter

patricide was discussed

with a high level of seriousness,

but when the young gods

found they could not

wrench life from Janus’

immortal soul

they served him

 

with lease violations.

 

 

 

16)

[a young woman asks for a poem about romantic indecision]

 

The 3 O’clock knows

what it wants:

the sun just shines

a wide brush of blue

over the far lifting sky

with conviction in its own

desire.

I have been chasing

an eight O’clock love

when the sky can’t wrap

it’s fingers correctly

around any hue,

and the night is a thief

around a slight corner of time

with empty beds in his pockets

and false secrets on his breath

about the hour and the color of the sky.

 

 

 

17)

[a bald man asks me for a poem about cosmic compassion, never returns]

 

I would like the moon

to smile more often

out of compassion for those

 

of us below.

I would like for mankind

to smile more often:

 

I think we would

if we knew about the power

inside

 

a compassionate act.

I have felt

in my moments of greater

 

grace, my whole heart

open like a sky

at night, awash with stars.

 

 

 

18.)Octopi

 

I cannot weigh my heart

down

even with

the weight of all these arms.

 

they only

give me more ways to reach

 

for another cephalopod’s

heart

 

that has

been lonely and scuttling

 

the bottom of the sea, just

searching

 

for another

area of aquatic affection;

 

searching

for a heart like mine.

 

 

 

19.) What One Wants

 

[a couple approached me when the sky was getting dark and asked for a poem about anything.  They had just left a fancy restaurant and told me it was because what they really wanted for dessert was an orange]

 

Somewhere in Florida a tree is lonely,

its branches without balance:

this is only one way to see this orange,

 

as a lost treasure, but why produce sweet

flavors

if not to give them away?  Who can say

 

for sure that we are not made to desire

so specifically this

citrus sweetness at this time?

 

Who can say that there is a better way

to spend an evening then to forsake

all of the offered desserts

in favor of one’s true desire?

 

 

 

20.) Listen to this State

 

[an Indian family of five asks me (through the father as a translator) to write a poem for the grandfather, who is visiting America for the first time]

 

The California poppy

opens its bloom enthusiastically

to the sun like a trumpet

 

pushing a high note

in the borrowed color

of a monarch’s wings.

 

The sunflower

overstates its conviction

like a kitten roaring

a lion’s ferocity.

 

But these are the collected song

of California.

Look at the wide notes playing

in this field.

 

 

 

21. Rules

 

[for a self-identified “gamer couple” celebrating their one year anniversary]

 

How old and wonderful it is

that our minds made rules

to better be able to play.

That we did not make rules to

constrict or to bind, but bind ourselves

 

to rules to better fly

 

the desires of our minds.

 

 

 

22. $

 

[Two women ask me for a poem about money and never return to pick it up.  They also do not pay me for the poem.]

 

I often wonder if cash

is a bad bone in the

human body.  If we could remove

 

it and cure the disease.

Other times I want

a yacht

 

and a villa and a few

steaks a week, new

shoes and a shirt

 

without holes in it.

I wake from this dream of desire

to list only that which I am able to give.

 

 

 

23. for Santa Cruz

 

[a young man from a “progressive Christian organization” asks me for a poem about love.  When I encourage him to specify what kind of love, he asks for a poem of brotherly love in Santa Cruz.  I later discover that him and his organization have laid out butcher paper across Pacific Ave and are asking passers-by to draw what they think love looks like]

 

Look, Santa Cruz

I have a great time

just hanging out with you.

You just really get me man,

like I can just say anything

to you like the tide can say

to the shore whatever truth

rolls off its roiling tongue.

When we hang out I can

just                             …be

honest about who I am

like the moon actually is

a pearl rolling

in the wide black bowl of the night.

I want to wear your friendship

about me like a garment woven

from our intention to ease

and invite the grace of this world

what I’m trying to say is:

I love you man.

 

 

 

24.

 

[(after reading Vasko Popa’s “One Bone to Another” I decide to include bones in all of my morning’s poems) a woman asks me for a 10 year anniversary poem for her husband]

 

I imagine someday our bones

(some 40 or 60 or no more

than 100 years from now)

will have something to say

to each other.

 

I imagine they will turn

to each other casually

with the same knowing look

you give me now

and say:

 

“you held together

quite the companion.”

and my bones will blush

and in their own way

reach

 

for your hand

by dispersing toward you

in the soil.

 

 

 

25.

[(after reading Vasko Popa’s “One Bone to Another”) a student asks for a poem for his mentor who has just been diagnosed with a terminal cancer]

 

The bones, too

are illusion.

 

They are only the wick

of this oil lamp.  And when this lamp tilts up

 

and your essence collects

it does not affect

 

all the wondrous change

that is inspired by your flame.

 

 

 

26.

[(after reading Vasko Popa’s “One Bone to Another”) a young man asks me for a poem about an emotion he spends 20 minutes explaining]

 

anyone can look at October’s leaves

and say “look at these bones”

bout only a man who is bones himself

 

will see the way

they cast and cascade

 

and even in the slow wind,

 

roil,

and know

(if he has become bare as well)

they are more like dead bats petrified

on extended wing.

The bountiful man may look at the same

branches and say:

“look at these buds

that are yet to be.”

 

 

 

27. JC Bootleggin’

[(after reading Vasko Popa’s “One Bone to Another”)  a street magician who I tend to find obnoxious asks me for a poem about Jesus Christ bootlegging liquor]

 

I, for one,

would buy moonshine from Christ.

 

Something he cooked up

bootlegging in his Father’s basement.

 

As long as it was actual moonshine

(light from the moon)

 

I would go blind drinking that bone

white light.

I would go blind.

 

28. Date

 

[a couple on a first date asked me for a poem.  Neither had a favorite poem or poet.  After getting their poem, I saw them kissing on the street corner.  Success.]

 

A giraffe

went on a date with a lemur.

It was unsuccessful.

 

A koala

went on a date with a puppy.

It was adorable.

 

I went on a date

with a sociopath (this is a true

story).

I found myself jealous

 

of all other conceivable

dates

 

including yours

right now.

 

 

 

29.

 

[a woman asks me for a poem for her friend who is terminally ill.  She describes this woman as her sister, but explains explicitly that they are not blood related]

 

what bliss is implicit in “sister”

what love in me knows that even

this close name is profane for

 

the true feeling.

We could take dictation from

the daisy: it uses no words

 

to express how it feels for

the sun, but if it did, I would become

a thief and steal that word

 

and use it

for the ways saying “sister”

falls short.

 

 

30.

 

[a man who was visiting from Sacramento had his car broke down, we talked for nearly half an hour about how he could never make up his mind what to do.]

 

I would not bend so radically as the wind

at time I will cling to the branch

as if it were my own

bones.

 

But even these leaves

will travel in an unknown

direction, far from the space

they grew above

dependent upon

 

the will of the wind alone.

 

 

 

31.

 

[a  15 year old in a group of 6 peers asks me for a poem about her boyfriend, who she has been with for three months.   One of her 15 year old male makes three offhand remarks about the race of her boyfriend.]

 

Do me a favor:

smile.

 

Because your smile is softer

than the petals of the plum blossoms

you have rows of full moons

behind your lips;

part the night clouds for me.

 

Smile:

bring the bright shine of your joy

to me.  I want to share your smile

with every day of my week like a cake

too rich to eat in one sitting

 

I want to savor taking

my lips to it

day after day after day.

 

 

32.  Inner Beauty

 

[a 14 year old girl asks me for a poem about inner beauty.  When I ask her why, she responds that it is the reason why she would like to fall in love someday]

 

The principles of gravity,

 

the words traveling between our phones,

 

the wind that pulls

the petals of plum blossoms from their branches:

 

there are many things I cannot see.

 

But hidden in that invisible wind of white flutter of these petals is pulled.

We are as unable to see it at that which pulls

 

heavily the human heart

the unseeable and unstoppable

truth of attraction.

 

 

 

33. Surfing

 

In the ripcurl of tide

a ride

 

to shore’s

 

sand and safety.

 

Also, in safety there is control

and also boredom

 

let me sail on this

surf again

let me muddle the velocity of gulls.

 

34. The Wolf

 

[a hairstylist asks me for a poem about wolves.  Tells me that he asks every street poet he has ever met for a poem about wolves]

 

An Italian man with a fantastic white hat

once told me

that we live our lives

in the mouth

of a

wolf

 

and the

only

difference

between the common man

and the brave man is

 

the common man tries to survive the wolf,

the brave man attempts to kill it.

Tomorrow (FRDAY APRIL 26th!)  come check out this awesomeness

you know, just something I’m working on with the ICA in my free time between booking 16 shows in May and building a new poetry cart (photos to follow soon)

You know that feeling…

April 11, 2013

…when you have a draft from a blog post that you meant to post two months ago, and the first line is about how much you’ve neglected your blog?  Ladies and gentlemen, I give you my thoughts from February 19th:

“Hello lonely little blog, it sure has been a while.  And while the whole of the East Coast has been covered in 30” of snow, I too have been pretty busy down here in Santa Cruz.  Nothing so epic that it stopped traffic, but it has been a good time.  What have I been up to, you ask?  Well, among other things, this:

...Petrarchan? Shakespearian? Spencerian?  would you like half rhymes with that?

go ahead…ask me for a sonnet.

Sometime last month I had a yearning for a typewriter.  Couldn’t explain it, and certainly couldn’t justify it.   That is, until I thought of a man I had seen on the streets of Northampton sitting at a typewriter with a sign that said “Poems: top of the head $1, bottom of the heart $5”  I had always wanted to do the same thing, but I was nervous about both my poetic ability, and the fact that I would totally be stealing his style (now if you want good poetry in Northampton you have to go here).  But Santa Cruz is an interesting town, a great number of things set it apart from Northampton, including the fact that one does not need a permit to busk.  So I purchased the typewriter of my eye, from a thrift store ($65) an ottoman from Marshals ($35), and some plywood and wheels from probuild ($12.50).  With a little help from the best glassblowing shop in Santa Cruz I was able to get the whole rig together ($112.50).  Three days of busking later, I had made back all of what I had spent.  Here’s the happy ending to the story: it turns out that writing poems on the streets pays an even scale of $10/hour (that was in February.  March seems to be closer to $16).  Goodbye endless hours at an unpleasant job; hello becoming a much better writer.  Don’t worry, folks who are concerned for my well being, my mother has beaten you to the finish line where you freak out about me not being able to eat: I’m still picking up shifts at the cafe, but I make more money writing poetry…who knew?

Speaking of better writers, here’s another thing I’ve been doing:

April flyer

I know it’s not the best flier ever, but it is what I’ll be typing all my poems on the reverse side of for the next month  (I’m an evil marketing genius).  One could theorize that I am simply not capable of moving to any new place without starting a poetry reading.  You could build some pretty solid evidence for this argument, but this reading does feel a bit different to me.  In many ways, it feels like it’s my audition for the Art Bar.  I’ll be running this event at a café with a beer and wine license that is the only venue located in the middle of the Tannery Arts Center, which I have previously gushed about here.   Speaking of the tannery:

That’s where I’m going to live starting in March.  Yes, I’ll be moving into the Tannery!!!  I can’t even express how excited I am.  This is the largest project that ArtSpace has ever funded and I’m going to be running poetry events and living it!  For the next two weeks I’m going to be concentrating very hard on how to count my blessings while simultaneously looking for ways to convince Rebecca to carry beer and wine cheap enough for poets to buy.”

The big updates since that post:  Living in the tannery is awesome, the reading series is going great (in fact I’ll be hosting events on Friday and Saturday as well starting in May), Rebecca now carries $2 Rolling Rocks, and busking is going great as evidenced here:

photo

Poetizing - A reading

More pictures of typewriters, and posts to the blog to come soon!  Also, I’m thinking of starting …ugh…a twitter account with some of my adventures writing poems on the street.  Thoughts?

or: how I learned to stop worrying and love the fact that I’m stuck in the Albany airport. (a photo essay)

A little backstory: flying a redeye into Logan Airport, I was supposed to have a layover at JFK, however, nothing had landed in in JFK that morning due to FOG (that’s right, I flew FROM San Francisco TO New York, and got delayed due to …fog.)  so the rerouted us to Albany, NY, and at first I was upset to be stuck in …ugh…albany, but then I figured “well…I’m probably smart enough to figure out how to get to Boston from here without going back to JFK where there’s a morning’s worth of air traffic backed up.”  I slipped into a zen-like state, possibly brought on by sleep deprivation and decided to proceed joyously knowing that I would be in Massachusetts soon, surrounded by wonderful people.  And in the process I snapped some photos thinking “this will make a great blog post sometime.”  three weeks later…

I did not have time to check out the meditation room, I was busy trying to find out how to get to Boston without going to NYC first.

I did not have time to check out the meditation room, but this did influence the title of this post, which I feel was worth it.

good thing the Albany airport doubles as an art museum.  Look at this beautiful hanging glass!  Maybe that's why people decided it's a fine place to stop and meditate.

good thing the Albany airport doubles as an art museum. Look at this beautiful hanging glass! Maybe that’s why people decided it’s a fine place to stop and meditate.

and then I looked up and saw this.

and then I looked up and saw this.

they also have willow tied together with twine!  (for perspective, that's my briefcase in the bottom left hand corner)

they also have willow tied together with twine! (for perspective, that’s my briefcase in the bottom left hand corner)

a close up view of the willow and twine.

a close up view of the willow and twine.

eventually I was able to convince Cape Cod Air to take me to Boston on this plane (the smallest I've ever been on).  It took lots of running around an airport that I could have been meditating in, but I was able to make it.

eventually I was able to convince Cape Cod Air to take me to Boston on this plane (the smallest I’ve ever been on). It took lots of running around an airport that I could have been meditating in, but I was able to make it.

on the trip from Albany to Boston I could make out the geography of New England in a way that I found far more thrilling than I expected to.  Look!  I used to go swimming there!

on the trip from Albany to Boston I could make out the geography of New England in a way that I found far more thrilling than I expected to. Look! I used to go swimming there!

I even saw the fog that prevented us from landing in NYC.  But we did land in Boston soon after, and I had a lovely breakfast with my mother and spent the rest of the week in the company of good friends...

I even saw the fog that prevented us from landing in NYC. But we did land in Boston soon after, and I had a lovely breakfast with my mother and spent the rest of the week in the company of good friends…

Hello neglected blog

December 4, 2012

…so you remember that last post with the photos that happened almost a month ago?  The one where I mention that I have a job working somewhere awesome?  Right, well that’s a true story.  And the downside to that whole “true story” thing is that I have a whole lot less free time than I did when I was unemployed and kicking about the country, add to that a crazy busy trip back home to celebrate my birthday and thanksgiving, and a botched attempt to sell my car, and it all equals very few blog posts.  But now I’m back in the Cruz with a (theoretically) more settled job schedule, so I’m going to try to get back on this whole practice of updating about my personal life, and also about awesome arts organizations, and then hopefully sometime soon I’ll be able to travel to Southern California to visit my wonderful family who has been adamant about welcoming me with open arms since I traveled out here months ago in the first place.

In the meantime I’m going to leave you with these two treats:

1.  An outstanding “name your price” download from MN based “Doomtree” collective member Paper Tiger called Beat Tape

2. A photo essay of my travels back to MA which will be following shortly with an outstandingly clever title.

More on LitSlam

November 18, 2012

So you should probably check out THIS VIDEO ON YOUTUBE

which I have written about here

and if you don’t have plans to show up in Sudbury and surprise me for my brithday, you should go to their book release here.  This book release is going to be dope.  seriously, you want to go.

 

welcome to my camera (click through for larger versions):

look at that sky!

The Tannery Arts Center and Rebecca’s Cafe: my current place of employment!  (sorry about the shadow: couldn’t convince city officials to move the streetlight or the sun for the purpose of my photo shoot)

The view from the courtyard behind Rebecca’s at the Tannery. So psyched to be volunteering to help fund raise for a performing arts space just out of frame of this photo!!!

This is what Tannery Arts Center looks like without the sign in front of it.

Erol Specter doing his thing at the Tannery. More artists and what they do can be found here: http://www.tanneryartscenter.org/listing-by-discipline/

Just a small sample of some of Erol’s work.  I…I really like belts…and shoes.

This is where I live! interior photos coming as soon as the interior isn’t a mess.

This is my view when I step out my door in the morning.

stone and shoes.

Open During Construction

November 7, 2012

The sound of construction is a mutinous beauty,
such a perverse pounding to stand pillars, the scaffolding and slashing
of structured corners
we walk between: this could be any city;

the window washers could hate their jobs
or their wives; falling bricks could catch
in the hefty black netting , a weight  that hangs
like a swallowed love for a woman with a familiar heart.

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